Description
This seminal book is a rigorous examination of the deeper and broader implications of Yunizar’s work: Aminudin T.H. Siregar contextualises Yunizar within the pioneering art collective KSR Jendela, tracing his connections with its members whose rich synergies buttressed his confidence as a young artist. He highlights nuances in Yunizar’s evolution over the years, and situates his oeuvre within the broader contexts of Indonesian art history. Katherine Bruhn’s interview with Yunizar, recalling his childhood in Tawali, West Sumatra, offers a particularly revealing account of his youth and how he emerged as an artist from his unique artistic heritage in West Sumatra.
Spotlighting a vital moment in his career, T.K. Sabapathy traces the artist’s unexpected, yet steady expansion into three-dimensional art practice—unpacking the fluid impact of his paintings which dominates his oeuvre on producing sculptural forms and compositions, and analyzing his distinct figural sculptures. Finally, Ahmad Mashadi presents a fascinating historiographical account of debates surrounding KSR Jendela’s significance—ultimately launching a critical discussion on how the emergence of the group opens up dynamic entry points into deeper understandings of Indonesian modern and contemporary art.
Reviews
There are no reviews yet.