Dewa Raram (Oototol)

(b. Bali, Indonesia)

Oototol, born Dewa Raram and affectionately known as Totol, embarked on an unlikely journey from humble origins in Pengosekan, Bali, into the world of art. In a village where most men turned to traditional painting for economic survival, Totol’s path was unconventional. Born during the Japanese occupation, his name “Raram” resonated with the sound of wartime planes in the sky, an early testament to his connection with history’s dramatic sweep. Without formal education or literacy, he grew up intellectually curious and transfixed by Indonesia’s first president, Sukarno’s impassioned speeches and stories of national heroes, military leaders, and their symbols of power. This fervour seeded his creative subconscious, instilling in him an enduring fascination with powerful figures and national identity.

Totol’s artistic exploration began serendipitously after meeting I Gusti Ayu Kadek Murniasih (Murni), a visionary artist whose unorthodox methods entranced him. With her partner Edmondo (Mondo) Zanolini, Murni introduced Totol to black Chinese ink, bamboo pens, and brushes, igniting his creative potential. Drawn in by their unique materials and processes, he began experimenting, ultimately immersing himself in drawing with an intensity and focus that became his signature. Finding a sense of belonging with Murni and Mondo, Totol—who displayed traits of autism and struggled with traditional modes of communication—embraced art as his primary means of expression. This sanctuary allowed him to articulate his surroundings and his perception of the world in a way that transcended verbal language.

Initially inspired by wayang (traditional puppet), particularly scenes from the epic Ramayana story, Totol’s work evolved to portray his enduring captivation with Sukarno and other figures of authority, depicted with their iconic peci caps and formal attire. While he remained detached from political ideology, the powerful images of these leaders resonated with him, symbolising an energy that permeated his artwork. Totol’s creations, largely monochromatic, emanate an emotional intensity and raw innocence, reflecting a profound connection to Balinese identity while addressing complex societal themes through simplicity. His body of work—intuitive, nuanced, and steeped in cultural memory—stands as a poignant testament to his inner world, resonating with viewers while preserving the spirit of his heritage.